. (. ). The following is a list of all of the movies that 'Z-list internet personality' has reviewed or otherwise discussed. And the list:.: (Paraphrased) 'Sorry, guys, but I loved it. You want in a movie like this, and can. It knows what kind of movie it is, and it delivers in spades.'
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.: An extremely funny movie. Didn't review it, but he mentioned it in his Casa de Mi Padre review, noting that the reason why he reviewed that film instead of this one was because Casa was trying something unique.: Bob found this one to be despite the breathtaking animation, filling the otherwise short review with a explanation of the difficulty of producing commercial adult-oriented animation films and a vent against hardcore fans who insist only Japan is capable of doing this.: Called it a fun action flick, made even better by the character's marked enjoyment at all the cool stuff they get to do, i.e. 'not every character needs to be Batman'.: The action scenes are amazing, thanks in no small part to the fact that, ensuring realism and authenticity instead of phony Hollywood machismo. Unfortunately, aren't nearly as good, with a number of 'movie-like' moments that break the film's sense of realism and some mediocre acting from the active-duty Navy SEALs in the lead roles.
Military buffs will love it, but most others would probably have been better served by a straight. In addition, both within the review and in the following week's, he rebuked the widespread concern that the film was a jingoistic, pro-war propaganda piece/recruitment tool, saying that it was no worse in that regard than any number of recent Hollywood action films, and that people on both sides.: Great directing, great action, and the best (though ) use of performance capture technology in filmmaking history make a very worthwhile watch. Bob also comments on how the mere fact of the film's production, what with it being a big-budget adaptation of that's, showcases Hollywood's growing recognition of the power of non-American moviegoers.: Feels that it's a perfectly serviceable action film, nothing more, nothing less, and that most of its popularity comes from it being with rather than its own merits. In, he offered some tips on how to do the American remake properly.: While it works in bits and pieces, and the art design, special effects and score are amazing, ultimately it fails spectacularly to come together as a whole movie. Bob felt that, story-wise, it was a mess that tried to shoehorn the of 's novel into a 'good vs.
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Evil' narrative reminiscent of a cartoon from - something that someone like or might have done as a spoof of the Hollywood system. An American Carol.: He hates the series with a violent passion, feeling that it isn't anywhere near as funny, edgy or insightful as people proclaimed it to be, then or now. Didn't review any of the films, but he mentioned them in his review of The Raid: Redemption, discussing why he chose not to review the fourth film, American Reunion, which had come out that week. (He did see Reunion, mentioning at the end of said Raid review that he thought it terribly generic and overly reliant on cameos from the old films and '90s pop culture references.). Anonymous: He used to examine the that the film was based on. He didn't review the film itself, but he did devote the opening paragraph to his (mainly positive) thoughts on it.
Appaloosa.: He liked it on a superficial level, but he didn't love it like so many other critics and moviegoers did (though he understands why many of them loved it). He found the story and characters to be rather shallow and overly reliant on, and the film as a whole to be deeply rooted in and not quite as intelligent as it thinks it is. He felt its for Best Picture to be. Part I: Takes a book full of deep political philosophy and sci-fi, and only covers the dull introduction while many of the edgier parts of 's. The result: a boring film that feels like it was, and which could've been a lot better, especially given its production history. While he hasn't reviewed it yet, he has recommended it on several occasions in his reviews, comparing it to old-school ' high-grade asskicking' during his episode on films, and noting that it was incredibly deep for what is essentially a B-grade monster flick.
At the end of 2011, he listed it as one of his top ten movies of the year.: Ultimately very positive. He notes that while the plot itself isn't original, it helped in keeping the audience immersed in the fantastic world-building and theme-driven story. He also lampshades the potential behind it, noting that will probably go nuts with the movie and compares Neytiri to Jessica Rabbit as potential material.: He's hotly anticipating it, and has been hyping up the very idea of it ever since at the end of.
In particular, as explained in the Big Picture episode, he's excited about the possibility of becoming part of the DNA of moviemaking, just as it is for comics and, to a lesser extent, television, though he recognizes that it could easily have. When it finally came time to review it, he loved the hell out of it, saying that it was a great film on its own merits and a downright miracle given to make the film possible, and that it was the new standard against which all future comic book movies will be judged. It marked the first time that a movie of its kind had managed to bring the full 'comic book' experience - the sprawling storylines, the disregard for genre, the - to life on the screen without being too timid or serious. Much of the credit goes to writer/director, who is an expert at handling these kinds of large casts and group dynamics thanks to his experience with and, and who takes a fairly simple and straightforward main plot and manages to elevate it head and shoulders above nearly anything like it.: It's certainly not a forgettable film for its, noting that made good use of 's nature as the.: He praises it for its realistic depiction of what a war between and would actually look like, but felt that its underwritten plot and characters made it hard for him to care.
It's worth a matinee if you're in the mood for a gritty war movie, but overall, it doesn't get his recommendation. Didn't review it, but he mentioned it in his review.: 'Pretty much every bit as bad as everyone kind of assumed it was going to be all along.'
Bob was actually rooting for this one to be at least decent, just so that it could surprise those who felt it was a bad idea to adapt into a movie (he's of the school that there's no such thing as bad ideas, just bad execution). Its big problem is that it's got a director who is far smarter than the material (having made films like and The Kingdom) trying to dumb himself down and make a -esque, empty-calorie popcorn blockbuster, and failing because he and the movie keep out-thinking themselves, comparing it to the about the elite chef who couldn't make a Big Mac.
He did like the last twenty minutes and some of the cheekier nods to the board game (even if nobody utters 'the line'), and was surprised by how good an actress turned out to be, but it's not enough to save a crappy movie.: 'Bottom line: do not miss out.' Bob was absolutely blown away, with in particular deserving the Oscar that she received for her performance. He starts off the review speaking in a accent listing off all the reasons why he liked it, then drops it for the second half, in which he talks about the and how enjoying such scenes isn't necessarily shameful or objectifying.: Found the plot to be silly and overly reliant on literal - after all, if Eli is on a, then there's no way he can lose, thus sucking out all the tension.
Ultimately, the rest of the film is no different than any other movie, though he thinks the actors did a good job with their roles. Born to be Wild: 'Monkeys and baby elephants in 3D?
That works for me.' Didn't review it, but he mentioned it at the beginning of his review.: A tight, suspenseful thriller with a great performance from that, for some reason, is being treated by its distributors like a high-minded arthouse film (limited release, promotion to match) rather than the low-budget that it is.: 'Don't let anyone tell you anything about this movie.
Just mark your calendar and make damn sure you do not miss it. ' It's a triumph of that succeeds where others have failed by going whole-hog with its meta-narrative ideas, and it's the best film Bob's seen all year up to that point.
He first mentioned it at the end of his review, then did a proper review two weeks later, opening it with a ninety-second warning that his review was going to spoil the film's big twist (even if it happens at the very beginning of the film and was partially given away by the trailers). A few weeks after he reviewed it, he did an Intermission editorial, (warning: huge spoilers for the movie), in which he discussed the film's at moviegoers (specifically horror fans) who demand cliche and formula rather than anything new.
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